All influences or actions of individuals are psychological in nature. It is on this basis that Hillman solidifies his discourse of a poetic basis of mind and that psychology begins in the process of imagining. The mind and the workings therein define all experiences of an individual. In the same vein, all conceptual categories that can be developed are nothing but products of individual imagination which is driven by psychological, religious, scientific, mythical, and artistic factors. To fully develop a framework for understanding the poetics of imagination, Hillman avoids Freud’s dichotomy of the mind into conscious and unconscious. He posits that all psychological activities have their roots in fantasy; where fantasy encompasses imaginations, fancying, and daydreaming. Fantasy is presented as being an unconscious behavior uncontrolled by the real world. In other words, all psychology is of necessity based on fantasy (Hillman, 1976 p. 70).
One strength of deviating from Freud’s dichotomy is that it allowed Hillman to state that if psychology is a product of fantasy and psychology is the origin of all human activities, then it can only mean that human activity is based on fantasy or in other words, intrinsically imaginal. It follows that all ideologies, paradigms, philosophies, and belief systems among others are mere articulates of specific fantasies. This is the framework on which Hillman’s archetypal psychology is based and used to refute assumptions on which the understanding of ego and self presented in the West as a substance that is monocentric, autonomous, and always in pursuit of perfection (73).
In archetypal psychology, this framework also lays the foundation for his discourse on the soul. The work concentrates on the soul because, Hillman believes that the soul should be the sole business of psychology whose definition literally translates into intelligent accounts of the soul or speech or reason (Hillman, 1983 p. 17). Contrastingly however, Hillman does not refer to the soul as a substance, rather a perspective. Again, the primary activity of the soul is imagination. The soul is constituted of images, but again, these images are generated by the soul (14). The poetic basis of the mind pictures all psychological activities as images.
Fantasy is images, products, and also raw materials of the psyche. They are the primary modes through which the soul can be accessed because the soul is an imagining entity and images are its constituents. In the same plane, myths are also representations of fact which are vital to understanding the soul (Hillman, 1976 p. xi). Within this framework, dreams are understood as being compensatory to the sufferings and struggles that individuals go through in life and are not mere random residues. This approach of dream analysis directly contrasts interpretive/hermeneutic approaches. In place of these accepted methods in psychology, archetypal psychology relies on phenomenology and avoids interpreting a dream; rather the contents of the dream are presented as they are (54).
Hillman’s drew his influences from a mixed group of people. The main influence on his archetypal psychology was Carl Jung, but the whole list includes Freud, Vico, Scheling, Coleridge, Plotinus, Plato, and Heraclitus as well as an assortment of poets, artists, alchemists and philosophers (Hillman, 1976). It can be surmised that their writings influenced archetypal psychology, psyche/soul, and associated analysis of dreams, with regard to the process of soul making (44-46).
Hillman’s work cites three aspects that define his psychology, that is, the soul or psyche, aesthetic response and what he calls polytheism. The definitions and interrelatedness of these three concepts form the foundation of his archetypal psychology. The definition and dimensions of the soul is important for understanding aesthetic response. The soul as presented in archetypal psychology functions through images, myths, feelings, and individual stories (Hillman, 1976, p. xi). Apart from these, the soul can also operate via an aesthetic response of perception. In this regard, the aesthetic response is that of feelings. Through feelings the soul is able to appropriately respond to aspects that affect. Aesthetic response is that specific, distinct, and unique sensual sensory and embodied response of what the soul perceives. Aesthetic responses bestow value and meaning to all the things that the soul encounters. Broadly understood therefore, the soul is religious (Hillman, 1976).
It is on this basis that Hillman develops his notion of polytheism, which is nonetheless a religious term. In archetypal psychology, the word is borrowed from religion to help in re-visioning psychology and its understanding of the self. Rather than monotheism which is closed, the polytheistic reference justifies Hillman’s notion that the soul has the space and freedom to generate aesthetic responses. Again, it is on this basis of pluralism that he calls for an extensive re-examination of monotheistic psychology, especially its psychological paradigms, within the new framework of polytheistic psychology. This multidisciplinary alternative would open up psychology to new expressions and perceptions in a dynamic and multicultural world and also make psychology more relevant and meaningful (Hillman, 1976 p. 27).
In other words, the soul being constituted with both imagination and images thus project the subjective and the objective on one hand, and human and divine on the other. These projections cannot be understood through personalistic reductions or one-sided interpretations. For this reason, only a polytheistic approach can bring together all the experiences of human life to the imaginative perspective and thus exude an aesthetic response (18-19).
Hillman also tackled the centrality of beauty to psychology. Hillman criticizes psychology for completely neglecting beauty. He notes that no experimental, social, or therapeutic branches of psychology have found it within its desire to incorporate beauty into the life story. In place of the beautiful shades that can be found even the most twisted of fates, professional psychology is wreath with banal language, mountains of useless books, and pretensions of progress. The neglect of beauty means that psychology can no longer find the right answers to life stories and the reward for this is an increase in sexual harassment cases, problems in gender and sexual relations, and reduction of every inquiry to experimental designs. In essence, there’s no longer any fun or humor in such inquiries (Hillman, 1976 p. 56-57).
Hillman maintains that psychology is the cause of its own death and it may not heal its own affliction. Even evident is Hillman desertion of all the common contemporary language in psychological writings. Thus, he states that words like ‘performance’, ‘coping measures’, ‘development’, ‘identity’ , ‘response levels’, as well as ‘ego’, ‘experience’ ,‘consciousness’, a host of diagnostic tools among others. These terminologies erase beauty and so archetypal psychology is the only vehicle that can be used to join psychology with beauty (Hillman, 1976 p. 134).
Hillman’s work has had a huge impact. They have inspired a whole generation of thinkers and individuals who have adopted the soul-centered approach in teaching, research, scholarship, governance, interpersonal relations, ethical decision making, psychological training, and promoting diversity as a way of life. Individuals trained in archetypal psychology have the sole purpose of freeing the soul from the straps of individual, personal, and humanistic strings so that it can explore in fantasy inspired imagination and re-soul the world.
Richard M. Oduor
Books for Further Reading
Hillman, J. (1976). Re-Visioning Psychology, New York: Harper and Row
Hillman, J. (1983). Archetypal Psychology: A Brief Account. Dallas: Spring Publications